Should I re-read “To Kill a Mockingbird”? I have the thought having just finished “Go, Set a Watchman”, Harper Lee’s sequel. I read Mockingbird almost thirty-five years’ ago as my O-level set text for English Lit. I hugely enjoyed it. It was a coming of age story. It was a fascinating window on the American South. And it was a happy story. Childhood innocence is challenged by adult wickedness but adult truth and justice defeat it. Atticus stands against racism in defending Tom, and Boo Radley unexpectedly defends Scout and Jem.
What follows contains many plot spoilers. Beware!
Go Set a Watchman sees Scout, aged 26, return to Maycomb from New York for her annual pilgrimage home and this is the year she finally grows up. By the end of the novel, she comes to see Atticus as a flawed adult, who loves her as she is, and only asks the same of her. She sees that he is neither saint, as at the start of the story, nor devil, as midway. Scout, in turn, finishes the novel more adult and less child.
If Tom’s trial is the central thread of her first novel, it is the collision between the Civil Rights’ Movement and the White Supremacy of the South in the second. The story is her witness of how this touches her family and friends, how it has changed them, how it changes her and her relationships with them.
The main event is when Scout surreptitiously attends a meeting of Maycomb’s Citizen’s Council, a white response to the NAACP, and Federal Government and Supreme Court interference in the South in support of Civil Rights. She sees Atticus, and possible husband Hank Clinton, calmly listening to an inflammatory racist demanding that African Americans be put back in their place. She suddenly sees the Council and Maycomb’s white folk, above all Atticus, as no better than Supremacists. She is horrified and feels rejected by her father and home town. How can the people and places she loves be so alien to her?
The whole incident, creeping in, looking down from the gallery and eavesdropping is a metaphor for a child listening in on an adult conversation and being disturbed and confused by content. Scout’s naivete shows itself in her both resenting, as a Southern girl, the relentless interference of the Yankees in other people’s business but also, colour blind as she is, railing against the injustice that African Americans can only be accepted if they don’t ask for too much. In short, she hankers after the past, her childhood, when all seemed OK. Everyone got on in their respective stations. If Atticus and Hank disappoint her, she is also heartbroken when she goes to see Calpurnia and is treated, not as a returning daughter, but another white oppressor.
Three characters from the first novel are unchanged by the second. Her brother Jem has died several years before of a heart attack, heart disease having killed their mother. Neighbour Dill remained in Europe after the war. Aunt Alexandra Finch now lives with Atticus but is unchanged; an irritating snob nonetheless trying to do the right thing for Scout, to help her fit in.
The novel ends happily at a personal level although disturbingly at a moral one. While Scout rejects Hank Clinton as a lover, condemned ever to be a friend, she comes to a peace of sorts with Maycomb and, above, she is reconciled to Atticus. He is humane and gentle. But he is a Southerner and is not ready for full emancipation of African Americans. Atticus tells Scout that he believes that desegregation and reform should happen steadily giving time for African Americans to civilise themselves. His guiding principle, it turns out, is not fairness and justice, as we had thought, but legality and due process. Atticus the moral being is compromised. His defence of electoral restrictions for African Americans leaves him on the wrong side. He would be a baddie in Selma.
I did find some bits clumsy. Some of the dialogue was more vehicle for rather formal expositions on the political evolution of the South than conversation between adults. I found it hard to believe that Jack would hit his niece.
But, overall, I loved the story and re-meeting the characters. I felt the trust and comfort of re-meeting, as an adult, a childhood friend now grown up. Atticus, at the end of the second novel, is a more plausible human being. The second novel feels much more about segregation than my memory of the first novel recalls.It is perhaps uncanny that the novel is published as there is, to my British eye, renewed debate about the reality of African American life decades after desegregation. It turns out I read, pretty much simultaneously, an article by Ta-Nehisi Coates in the Atlantic describing America’s penal system as a continuation of segregation and oppression of African Americans. Indeed, I started Go Set a Watchman thinking about Scout and Atticus but ended up mostly thinking about the tragedy of slavery, segregation and racism.
So, should I re-read Mockingbird? I am keen to see whether there were hints of Atticus’s position. I would like to be reminded about Hank Clinton. How much of what is in the second novel is prefigured in the first? But I probably won’t. I am happy with the innocent memory of the first.